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13.08, Architecture
BIM for Heritage: How to Develop a Historic Building Information Model
The fire at Notre Dame Cathedral in Paris has stressed the importance of the digitization of heritage sites. A recent publication looks at the use of Building Information Modelling (BIM) for historic buildings and the multi-disciplinary process behind it.
23.07, Architecture
Competition for new Garage Screen summer cinema announced
Garage Museum of Contemporary Art has announced a competition for the design concept of the 2020 Garage Screen summer cinema. Just as in 2019, the competition is organized by Strelka KB.
19.07, Art & Design
Silent pavilion merging acoustic ecology and social engineering
A new installation by sound artist Sergey Kasich highlights the value of silence in a city.
10.07, Art & Design
There Is No Nature: Extensive Show at Garage Envisions Ecology as New Politics
A recently opened exhibition at Garage Museum of Contemporary Art in Moscow brings together the works of over 50 Russian and international artists in order to rethink the relationship between humans and nature.
24.06, Education
The New Normal Summer at Strelka
Experience one of the most experimental research programs through a series of public events and workshops organized by Strelka’s The New Normal speculative urbanism think-tank.
20.06, People
Architectures of Discrimination: Geoff Manaugh’s Guide to Quarantine
The author of the bestselling book A Burglar’s Guide to the City, Geoff Manaugh, investigates how the uncertainty of quarantine creates legal loopholes allowing for atrocities and the abuse of power.
09.04, Speculative Futures
Post-human narratives from the heart of the Urals
A series of experimental short films produced by Strelka researchers after a field trip to the Urals speculates about a new age where the most strategic actors in the world are non-human.
01.04, People
Towards post-anthropocentric cosmologies
Patricia Reed on how to gain traction and political mobility in the wake of the Anthropocene.
02.03, Architecture
Russian pavilion makes it to top three at Triennale di Milano
The Wax Bee award went to the Russian team for their project “The Moscow River Age.”
13.02, Education
Meet the third cohort of The New Normal researchers at Strelka
The third and final year of The New Normal speculative urbanism think-tank has started at Strelka Institute.
30.01, People
Mapping the Digital Earth
Art historians Leonardo Dellanoce and Arthur Steiner co-initiate a research program to map the technological complexity of the planet, working with artists and designers from across Asia and Africa.
21.01, People
Do machines dream of the Pergamon Altar?
Merging classical antiquity with artificial intelligence, multimedia artist Egor Kraft reflects on the broader anthropological perspectives of technology.
09.01, Architecture
A new Garage Summer Screen Cinema design is revealed
The design proposal by the Russian architecture practice Syndicate has been announced as the winner of the open competition for a new Garage Screen Summer Cinema in Moscow.
25.12.2018, Bookshelf
Excerpt: ‘AI Aesthetics’ by Lev Manovich
Will AI replace professional cultural creators? Media theorist Lev Manovich discusses cultural uses of AI in his new book.
24.12.2018, Cities
No city is an island: Simulating environments for more inclusive urbanism
A group of The New Normal researchers prototype a deep learning tool for smart cities based on a simulation of the urban environment.
19.12.2018, Architecture
MIT’s Hashim Sarkis appointed curator of 2020 Venice Architecture Biennale
The next biennale of architecture will be curated by the dean of MIT’s School of Architecture and Planning.
10.12.2018, People
Is technology failing millennials?
The author of "Kids These Days: Human Capital and the Making of Millennials," Malcolm Harris, spoke to Strelka Mag about millennials’ relationship with technology and the future of work.
22.11.2018, Art & Design
Сrypto mining for the political emancipation of art institutions
Artists Pedro Moraes and Luiza Crosman suggest an alternative strategy for art institutions by connecting solar panels to an Ethereum miner as an installation for the 33d São Paulo Biennial.