Promoting the industrial ruins of the ‘Russian Manchester.’

The experiments in mass housing construction that preceded the iconic ‘Khrushchevka’ panel apartment blocks

Machines have learned to see better than ever. What might this mean for urbanism?

Tomas Koolhaas — on the film Rem, a portrait of his father and a great architect

The way to save history for free

How to give a river back to the people through architecture and urban regeneration

The restoration of the Ruined Wing of the Schusev Museum of Architecture

In any good fairytale, help magically arrives at the very moment that it’s most needed

Liam Young and students of The New Normal program took a trip to Murmansk Oblast to speculate on the fate of Russia’s Far North against the backdrop of melting icecaps and the advance of global warming

Let’s think of programming languages as materials in the same way that we think of physical materials that we can form into something to be experienced

The timeline of the history of Russian graffiti from New-York heritage to patriotic discourses

Where to look for hundreds of kilometres of cables underground and how to protect Moscow from cyberattacks

Alina Plyusnina, а Rice University student, told Strelka Magazine how it felt to be the only woman at an architectural practice and how much experience a graduate has to gain to be called an architect

Mikhail Krug, «Paris» and communal hell of pre-revolutionary architectural monument in Tver

In anticipation of Foster + Partners 50th anniversary journalist and architecture critic Alexander Ostrovsky talked to Bruno Moser, practice partner and head of its Urban Design team

The history of the appearance, content and public perception of playgrounds in the Czarist and Soviet eras

Strelka Magazine spoke with the participants of the Chief Architect School workshop in Yekaterinburg and learned how to make a developer think outside the box, why students have to compete and what drawbacks projects like this have

Alisa Silantyeva told Strelka Magazine why architectural inspiration should be sought in food rather than in buildings, what it felt like working at the South Korean avant-garde practice Moon Hoon and how one can work for three months without understanding the language of the workplace